What Equipment Do I Use?

Today I will give you an insight into the gear that I use. I will talk a bit about each part of the equipment – why and how do I use it, and what would be the better alternative in my opinion.

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Camera: Nikon D3200

When I decided to buy my first DSLR (end of 2015), the first criteria was to keep the expenses as low as possible. The second criteria was to buy either Nikon or Canon. All other manufacturers were too unknown to me (at least when it comes to the DSLR world) and I didn’t feel comfortable buying any other brand. For several weeks I was researching, looking at the specifications, comparing prices, megapixels, ISO ranges, shots-per-second in burst mode, I was reading blogs and forum posts, different reviews, I was watching Youtube videos about different models… and I made my final decision and bought D3200.

What is this camera good for?

This is a great little camera, not only for a beginner, but even for intermediate photographers. It also had a great value for money (I’m writing in past tense because I think you can’t buy a new one anymore). It is relatively small and can fit almost anywhere. The dynamic range is great and if you shoot RAW you can really get stunning results both in highlights and in shadows. And it has a 24 MP sensor, so you can really get a high quality image even after cropping the hell out of it.

What would I do differently today?

Actually, nothing. If I went back through time to 2015, I would buy the same camera again. It has everything it needs to have (at least for a beginner), it is affordable, it has a great dynamic range… One downside of this camera is pretty high noise level at ISOs over 800, but I can live with that. If I shoot in low-light conditions, it’s either a long exposure, or I try to use a fast prime lens, so I don’t really have to go over ISO 800.

Kit lens: Nikon AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR

After I chose the camera model, I found two options regarding the kit lens. I could choose between 18-55mm and 18-105mm. The latter was around 100 EUR more expensive, and that was the only reason why I opted for the 18-55.

What is this lens good for?

For a beginner who still has to learn about photography, this is a good all-purpose lens with pretty good value for money. I still use it, especially at 18mm, when I need a really wide angle.

What would I do differently today?

I would definitely go for 18-105. Now I realize that I had absolutely no clue about lenses and focal lenghts. I remember that I was slightly disappointed when I first turned my new camera on, “zoomed” all the way to 55mm and realized that there is almost no zoom at all (compared to what I see with my naked eye). If I bought the 18-105 it would make my life much easier in the situations when I needed to get really close to a subject, or when I wanted to change the perspective and to have more space compression.

Telephoto lens: NIKKOR 55-200mm

This was my second big purchase. After a while I overgrown the 18-55 and I really needed something longer. I like to photograph animals, airplanes, I like candid street photography… and I could barely do any of those with 55 milimeters. So I decided to buy a telephoto and I opted again for the cheap lens, because photography is not my profession, just a hobby, and there were other priorities in my life which needed mucho dinero.

What is this lens good for?

As I mentioned, you need a long lens if you want to take photos of a subject which you can’t approach physically (or you can but you don’t feel comfortable). Candid photography is much easier, as well as shooting animals in the nature. My other passion is airplane photography and I can’t really get inside the security perimeter so I need to take photos from a certain distance. Portraits and full-body shots also turn out pretty nice with this lens, because I’m able to isolate my subject and to have almost none of the distracting surroundings. And last but not least, recently I started shooting landscapes with this lens. I take several vertical shots which overlap by 20-30% and then I stitch them together. That way I get a nice panoramic shot with a large resolution.

What would I do differently today?

Having in mind that my photography budget is limited, I think I won’t be able to find anything much better for the same amount. I was thinking about Sigma or Tamron (with same or similar focal length range), but I’ve found many bad reviews online and therefore I opted for Nikon. It would always be better to have a faster lens, but that would also require much more money.

Prime lens: NIKKOR 35mm f/1.8G

This is my last purchase which I made because I felt a need to get a fast prime lens. I was thinking and deciding for more than one month. The two candidates were 50mm f/1.8g and 35mm f/1.8g. I knew that the 50mm lens would be better for portraits, but that was pretty much it. The 35mm would be generally better for multiple purposes. Landscapes, portraits, full body shots, street photography… So that’s why I decided to buy that one.

What is this lens good for?

As I’ve mentioned, this is a great all-purpose lens. Since I bought it, there was only one occassion in which I used my old 18-55. I feel that I can do almost anything with the 35mm. It’s forcing me to move around, to “zoom with my legs”, to explore different possibilities and compositions and finally I end up with much more involvement in my photos and of course the image quality is much better than with my zoom lenses. It also has a large aperture, so it’s great for low-light situations, as well as for astrophotography (although it might be a little too long for that purpose).

What would I do differently today?

Absolutely nothing! This is the best lens I’ve purchased so far and the most used one.

UV filter: Hama

This was the first thing that I purchased shortly after buying my camera. I don’t really care so much about the UV light, but it’s important for me to have some kind of physical protection for the lens. It’s much better to scratch or even break the 20 EUR filter than a 200 EUR lens. Good thing is that all my lenses have the same diameter (52mm), so I don’t have to buy various filters or adapters, I can just move the same filter from one lens to another.

The bad side of this filter is that sometimes it can produce flares in my images. Even the hood won’t help. In these cases I just have to take it off. It is a cheap filter after all and I’m sure that there are more expensive filters with higher quality, but currently it’s not a priority for me to have one of those.

ND filters: Visico, ND4 and ND8

I’ve got these filters from a colleague of mine, as a New Year’s gift.

What do these numbers mean? They are basically 2 to the power of f-stop reduction. For example, if you are not using any ND filter, your camera will receive 100% of the available light in a particular time period. If you use an ND2 filter, it will reduce the amount of light by 1 f-stop, which means that it will let 50% less light in the camera during the same period of time compared to not using any filter. An ND4 filter has 2 f-stops of reduction, which means it will let 25% of the light. An ND8 filter has 3 f-stops of reduction and will let 12.5% of the light and so on…

The good thing is that you can combine those filters by stacking them on top of each other. So if I would use both of my filter that would decrease the light amount by 2 + 3 = 5 stops, which would be equal to ND32 filter. What that means is that for the same aperture and ISO values I can have 5 times longer shutter speed, which is extremely useful for the long exposure photography during the daylight.

Tripod: Hama Star 63

A tripod is one of those must-have things for all kinds of long-exposure photography, or for those situations when you want to do some kind of focus stacking, or if you want to stand in front of the camera yourself…

As for all the other parts of my equipment, I also didn’t want to spend much on the tripod. I bought a cheap Hama tripod, which is not the most stable one, not the most flexible one, not the most compact one… well, it’s probably not the best one in any category, but it gets the job done.

With this tripod I miss two things the most. First – I can’t rotate my camera left and right, and that would be very useful for creating panorama photos. And the second thing – it’s too big and it’s not really suitable for travelling, there’s no way to pack it into my bag when I’m flying.

Of course, in some situations you can go without the tripod, and you can use any other solid surface to place your camera on (a rock, a sidewalk, your backpack, a fence…), but in most of the cases it is much easier to put a camera on a tripod and to adjust the angle and the height as you need it.

Remote shutter release

A remote shutter release is used to trigger your shutter without touching the button (or your camera at all). You can find those remotes either with or without a cord. A cordless trigger is cheaper, but less reliable.

Why would you need a remote trigger? Well, it can have several purposes.

First, when you make a long-exposure photo, it can reduce the chance of blur caused by camera vibrations which could happen when you press the button. Hint: if you don’t have a remote shutter, try setting a timer to 2 seconds so the camera has enough time to “calm down” after you press the button.

The second usage would be to create an exposure longer than 30 seconds. The longest shutter speed that my Nikon can achieve is 30 seconds, and the next step is “Bulb” mode. In this mode you should keep the shutter button pressed for as long as you want your exposure to last. Since it could be very tiring and boring and could cause your camera to shake, much better solution is to use a remote trigger. When you set your shutter speed to “Bulb”, the first press on the remote shutter button will open the shutter curtains and expose your sensor. It will stay open untill you press the remote shutter button again.

The third possible usage would be to take some selfies, when you stand in front of the camera and then just press remote shutter. You could also set the timer on your camera, but then you have to press the button on the camera and to run back to your position, which can be not so easy to perform. You also have the option to set the remote shutter release with a delay, so you have a couple of seconds between pressing the remote shutter and the actual shot (which you can use to hide the remote trigger somewhere).

Bag: Lowepro

I bought this bag together with my camera and for the beginning it was just big enough.

Nowadays I have two more lenses to fit in and some additional equipment (ND filters, a charger, a spare battery…). For the last couple of trips I opted to leave my 18-55mm lens at home because there was no safe way to fit it into the bag. A few weeks ago I also went out of my city for a weekend and instead of this bag I decided to use my company’s backpack for the laptop.

This bag is also not so convenient when you have to climb, to jump over or crouch and pass under obstacles, it keeps swinging left and right… For me, a backpack would be much better solution.

Glass ball

I bought this ball via eBay for only $2. It inverts the scene in front of you and you can create some really cool images with it. Money well spent, if you ask me.

Gels for the built-in flash

One of the rare things which I bought online and which I don’t use at all. Actually, I don’t use built-in flash at all, that’s a big NO for me. This flash gives harsh lights and shadows, and everything in the image looks awful.

These gels are colored pieces of plastic which are attached in front of the flash. I have one white, one blue and one orange piece. All of them will diffuse the light and the effects of the flash won’t be so terrible. In addition to that, the blue piece will make the whole image much cooler while the orange one will make it much warmer. However, I tried them once and the results were very bad. It was like someone took a bucket of blue (or orange) paint and threw it all over my living room. These gels are my only purchase that I really regretted.

What else do I need?

Until a few months ago I had a serious case of G.A.S. (Gear Acquisition Syndrome). I was thinking only about new parts of equipment, new lenses, new filters, I was reading the reviews, watching the videos, thinking how this lens or that filter would improve my photos…

When I bought my 35mm lens, I felt a relief. I think that was the point when I stopped thinking about new equipment and instead started to learn about different photography techniques which will really improve the quality of my work.

Yes, it’s true that the same image will look much better if you take it with Nikon D5 instead of D3200, especially if you mount a 24-70mm f/2.8G ED lens on it instead of 18-55 kit lens (or a 70-200 instead of 55-200). I would also find some smaller things very useful, like a tripod with better head (which can move in all directions), or a larger bag, or maybe a circular polarizing filter. But also I could easily think of some more expensive stuff which I really need for certain types of photography. I could use a fast wide lens for astrophotography (maybe a Nikon 14-24mm f/2.8G ED), or a really long telephoto for some wildlife photography (maybe a Nikon 800mm f/5.6E FL ED VR), or a full-frame camera (it doesn’t need to be the aforementioned D5, it could be “only” a D850). For some occassions I could also need an external flash (like a Nikon SB-900), or even a couple of them.

But hey, currently I drive a car which could be sold for up to 1500 EUR and I have absolutely no intention to spend 5000 EUR for a camera, or 2000 EUR for a lens :). Photography is a great hobby, but a very expensive one, and it’s very easy to fall into this whirlpool of spending money. You will always feel that you need more stuff and better things, even if you’re just a hobbyist photographer who takes a couple of photos only on weekends.

What equipment do you need?

I started doing photography with my mobile phone camera. I was doing it for a year or so and then decided to buy a point-and-shoot camera. It was a Nikon (of course :)) and I bought it online, it was a used one. Now I had some extra options, like the ability to set the ISO or the shutter speed, but I still had no clue what are those settings for. So basically the only thing that really improved was the number of megapixels and the overall image quality.

After a year or so I really felt the need to buy something “serious”. In the meantime I learned a few things about the photography, I knew what is the shutter speed, what’s the aperture, what is the long exposure and so on… I wanted a piece of equipment which will allow me to really visualize my new knowledge. That was when I bought my low-cost Nikon and embarked this journey.

And I’m glad I did it this way. If I bought a DSLR 6 years ago, when I had absolutely no clue what it could be good for, I would probably end up having my mode dial stuck on the fully automatic mode, shooting JPEGs, using the built-in flash and having my horizon tilted all the time. If I wanted that, I could as well stay with the phone camera and save myself tons of money.

If you plan to buy a camera and to start doing photography for fun, here is my advice. Spend a few months taking photos with your phone. See if you really enjoy it. Ask other people for a feedback. Try to improve. Get up at 04:30 AM and go take some photos of a sunrise. In the winter spend a few hours near the river, in the freezing wind, just to take some photos of the morning mist. Stay out until 2 AM to take a photo of that rising full moon. Leave from home a couple of hours earlier and spend that time walking around and photographing your city in the morning before you go to work. Get to the airport 4 hours before your flight just so you’ll be able to take some photos of the airplanes taking off and landing. Lay in the snow so you could take a photo of that frozen flower from the ground level. Slow down. Watch the world around you. Try to imagine how would that scene look through the camera. Take the photo. Ask for a feedback again. Try to improve further.

Do you still enjoy it? Do you still take photos each day? You are not getting bored or tired? You still feel that each day and each street in your city brings something new and interesting? Well, congratulations, you have qualified! 🙂 But if you had at least one moment when you thought: “Damn, this is boring… I hate this… I’m cold… I want to go home… I don’t like this”… well… sorry to disappoint you, but I think you shouldn’t invest any money in the photo equipment. If it’s boring with the phone camera it will also get boring with the top-notch DSLR and after a while you will be taking your camera out of the bag only for your children’s birthdays.

If you decide to buy your first pieces of equipment, don’t spend much money on the camera, but instead spend it on a good lens (or a couple of them). That’s what will make your photos much better (or worse). Invest in a couple of zoom lenses, so you can cover a large range of focal lenghts. If you later decide to do only a single type of photography, adjust your equipment accordingly – sell something not needed, buy something new, and tune your gear for the specific purpose. If you start earning money from your photography, invest more, buy better stuff. Go for it! 🙂

I hope you enjoyed reading this at least a little. I enjoyed writing, that’s for sure 🙂

See ya soon,

V.

Shutter priority, Aperture priority, Manual mode…

In the previous text you could learn some more details about all shooting modes that you can find on your camera’s mode dial. In today’s lesson we will dive deeper into three most used modes – Manual (M), Aperture priority (A or Av) and Shutter priority (S or Tv). If you are still shooting at Auto mode, you will need some time to switch to one of these modes. You will need to practice a lot, to experiment, and to learn how each of these settings affects your final image. After a while you will catch yourself looking the world around you differently, thinking which aperture and which shutter speed would be ideal for the scene you are looking at just now. Don’t worry, this is absolutely normal after you spend enough time with your camera 🙂

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Manual, Aperture priority and Shutter priority modes

Is my photo exposed correctly?

Before we start with the individual modes, let’s take a look through the viewfinder or on the LCD screen. You should see something like this:

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This scale shows how exposed your image will be if you press the shutter button right now. In the picture above you can see that the arrow points to +1, which means that your photo will be slightly overexposed (too bright). If the arrow goes to the negative numbers, that means that the photo will be underexposed (too dark). When the arrow is exactly on 0, the photo is exposed perfectly. If the arrow went too much to the right, you can either lower your ISO to reduce the sensor’s sensitivity, or you can use faster shutter speed or narrower aperture, so that less light can come inside. On the other hand, if the arrow is in the left part of the scale, you should increase your sensor’s sensitivity (increase ISO) or let more light in (by using slower shutter speed or wider aperture). So the point is, whatever setting you choose, you should always try to have this marker in the middle if you want your photo to be exposed properly. Of course, photography is an art, and in art there are no rules. But my opinion is that you should first learn some “unofficial” rules, and after you learn them and learn how to create photos which adhere those rules, then you can start breaking them. But always be sure that you are breaking the rules on purpose, not because you don’t know how to use your camera.

What about ISO?

Shutter speed and aperture opening will determine how much light will physically get to your sensor. ISO sensitivity will determine how much your sensor will be sensitive to that light and how bright your photo will be for a given amount of light.

Your DSLR camera will offer you two possibilities – to have a fixed ISO, or to set it to automatic mode, with certain limits.

When you press the Menu button on your camera you will see five different categories. The second one is the Shooting menu, which contains the ISO sensitivity settings. Navigate to that item and press the OK button. You will see another screen, where you can set basic ISO sensitivity, and choose whether you want to have Auto ISO sensitivity control.

If you turn this option on, you will be able to choose maximum sensitivity, and the minimum shutter speed (so that you can be sure that the shutter speed won’t go below certain level if you plan to shoot handheld). If auto ISO sensitivity control is turned off, your camera will stay at the basic ISO level.

Now we can go on and explain the three shooting modes.

Shutter priority mode (S/Tv)

In this mode you will be able to set the shutter speed by turning the wheel on your camera. The aperture will be automatically set, depending on the amount of light, so that the exposure meter will be in the center of the scale. ISO sensitivity will be either fixed or set automatically (if you chose that option as described in the previous step). This mode is useful when you are shooting a scene where timing and exposure length is crucial.

On one side, you will set very quick shutter speed if you want to catch the peak of action and to “freeze” it in time. It could be a basketball player in the middle of dunking, or a kid playing with a friend, or your cat which is jumping to catch the string, or a bird in mid-flight, or the waterfall in which you want to see razor sharp water drops…

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Quick shutter speed allows you to catch a bird in mid-flight

On the other side, you will need a slow shutter speed if you want to catch the flow of water and to give it that silky look, or light trails on a road in the night, or if you are shooting stars in the night sky, or if you want to create a sense of motion using the technique known as “panning” (more about that in one of the later posts)…

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Slow shutter speed allows you to capture the water flow

If you are shooting handheld, your shutter speed should be not slower than 1/50s. In my personal experience this is the lower limit to create a photo without blurriness caused by hand shaking. Of course, this stands for shooting still objects and people who are posing for a photo. If you are shooting moving subjects (people walking or running, cars, animals, children…), you will want even faster shutter.

Aperture priority mode (A/Av)

This mode will allow you to determine a fixed aperture opening, while the shutter speed will be set automatically. ISO can again be either fixed or set to automatic. This mode is useful when you want to control the depth of field in your photos.

If you open your aperture as much as possible (i.e. if you set a small f-number), you will have a sharp focused subject with blurred background. This is useful for taking portraits, and for close-up shots, for example of flowers or small objects. The depth of field will be very shallow. The larger the aperture, the stronger the blurriness of the background your photo will have, and the smaller depth of field will be. To achieve this effect it is also important to be as close to your subject as possible.

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Large aperture will give you more blurriness in the background

On the other hand, small aperture (large f-number) will give you a large depth of field, so more objects both in the foreground and in the background will be sharp. This is useful for landscapes, when you want to have as much of the scene in focus as possible.

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Small aperture gives you a large depth of field

Manual mode (M)

This mode is giving you the full control over all the settings that your camera has to offer. In this mode you can do the fine tuning of all parameters and nothing will be overriden.

Manual mode can be useful for example when you are shooting stars. You want to open the aperture as much as you can, to let in as much light as possible. Your shutter speed will depend on the focal length of your lens according to the “500 rule” (more on that in next posts). To put it simple, you don’t want shutter speed to be too fast because there will not be enough light, but also not too slow because stars movement will be caught and the stars will turn from dots to trails. Your ISO sensitivity should be high enough to capture tiny stars, but not too high so you won’t have too much noise. If you are shooting in one of the semi-automatic modes, your camera might get confused and set different configuration, but can also determine that there is not enough light and won’t even fire. We will talk more about stars photography in the following posts. However, this is one of the situations when you want to have the full control of your camera.

The other situation is when you are shooting people indoors, where the lighting is not so good. You don’t want your ISO to be too high, to prevent excessive noise. Your shutter speed should be 1/60s or faster, to prevent blur. You might not want to open your aperture all the way because you want to have a bit larger DoF, so you will narrow it down a little. If you were shooting in A or S mode, your camera might make a different decision, and you don’t want that. So you will put your camera in the M mode and tell it which settings you want. Remember, you are the artist who creates a picture, not the piece of hardware in your hands.

Manual mode is also useful when you want to experiment with different exposures. Let’s say that you have set your ISO to 100 and you can’t go any lower. Your aperture is f/2.8 and you decided that is just the perfect DoF for the given situation. Your shutter speed is 1/125s and you take a shot. The exposure is jut perfect, but you want it to be a bit darker, because you want to create a mysterious mood in your photo. As we have already said, can’t decrease your ISO and also you don’t want to close the aperture because you will lose that blurry background. So you will increase the shutter speed to 1/250s, and if that is also not dark enough you will proceed to 1/500s and maybe even to 1/1000s. If you were in Aperture priority mode, your camera would determine the “ideal” shutter speed for you and you wouldn’t have any chance to improvise and to give your personal touch to that photo. In Manual mode you are able to do anything you like and to express your vision of the scene.

Conclusion

My mission here is to help you get to know your camera better and to understand how, when and why can you use different shooting modes and settings. In 90% of situations I tend to use either Aperture priority or the full Manual mode, and in other cases I use shutter priority. This is entirely up to your preferences and to what you are photographing. I am not trying to persuade you to always use the Manual mode, because I am aware that many photographers in many situations might achieve better results with one of semi-automatic modes, or even in full auto mode. Or at least there will be situations when Shutter priority or Aperture priority will give you great results, without you worrying about all the other settings. But it would be a shame that you own an expensive state-of-the-art DSLR, and not make the most out of its potentials.

If you want to master the Manual mode, you should be prepared for a lot of theoretical learning, trials and errors, experimenting… No matter how many texts you read and how many photographers you talk to, you will never really start learning if you don’t take your camera and get outside to take some photos. Only then will you see how your camera acts, how the different settings affect your photos and what you can do to make them better, or just different. And don’t be afraid to change the settings, you can’t break a camera by doing that :).

Another topic is coming soon. Until then, share this post if you like it and if you think that someone else could benefit from it. Also, leave a comment and tell me what you think.

See ya! 🙂

Different Shooting Modes

In the previous post you read about the exposure triangle, which consists of the shutter speed, the aperture and the ISO. Now it is time to get to know your camera a little better and to see what are all those shooting modes it has to offer.

You have just bought your first DSLR camera, and now you’re looking at that round thing with a bunch of letters and symbols on top of it, right? It looks intimidating, but it really isn’t that complicated. Let’s go step by step and explain each and every of those options.

Let’s first take a closer look at it and mark all of those things so we could easily refer to them in the following text.

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Different shooting modes on a DSLR camera

We will start from the number 1, the Auto or fully automatic mode. If you set your camera to this mode, you won’t have to worry about anything at all. The camera will evaluate the scene it “sees”, and it will adjust the shutter speed, the aperture, the ISO, and a lot of other settings we haven’t yet talked about. It will even pop up the built-in flash if it is too dark.

When is this mode good for you? In my opinion, the only situation it is useful is when you are an absolute beginner, and you are still unfamiliar with terms such as shutter speed, aperture, ISO… You don’t know anything about white balance, metering modes, focusing points, and other settings. You have no idea how to locate and change all of this stuff and how should you set them. In that case it is absolutely fine to let the camera do the “dirty work” for you and to guess the best settings for the given shot. That’s right, I said “to guess”, because the camera can never know what exactly did you want your photo to look like. It is going to set itself for the optimal exposure, and will disregard the fact that maybe you wanted to catch those light trails, or to have shallower depth of field for that portrait, or that you hate the built-in flash because it leaves those harsh highlights and ugly shadows on people’s faces.

Number 2 is the Automatic mode without flash. It works almost exactly in the same way as the previous one, but the difference is that the flash will never be activated. This mode is right for you if you recognize yourself in number 1 description, but you don’t like the flash. It will also automatically set all the other things your camera has to offer.

Number 3 is the semi-automatic Portrait mode. In this mode your camera will try to make the optimal settings for portrait shooting. That means it will set the large aperture opening (small f-number) so you could have the nice blurred background. You can further help it by zooming in or walking closer to your subject and moving your subject farther from the background objects.

Number 4 is the Landscape mode. Opposite to the previous one, this mode will close your aperture so you could have a large depth of field. The aperture might be too small, so a slower shutter speed might be needed. In this mode it would be good for you to have a tripod or some other solid object or surface to place your camera on.

Number 5 is the Kids mode. It will set somewhat increased saturation in the camera, so you could have rich colors in your photos. It will also increase the shutter speed because children are always on the move and you want to catch every single step they make.

Number 6 is the Sports mode. It is good for shooting sports (really), and generally fast moving objects, people or animals. In this mode your camera will have a high shutter speed, so you can freeze the action. With quick shutter comes the low amount of light and your camera could also set very high ISO, so be aware of that.

Number 7 is the Macro mode. Or maybe it would be better to call it a “close-up” mode. This is the setting that you want if you shoot flowers, insects, small objects… The aperture will be wide so the background will be blurred and the object will stand out. This mode also uses flash a lot. Of course, this will not turn your lens into a real macro lens and you won’t be able to focus closer than you normally can.

Number 8 is the Night portrait mode. This mode is good if you want to take a portrait which will be well-lit (and you need a flash for that), but you also want to catch the background and ambient lights. This mode will give you a little slower shutter speed (so that the ambient light could be caught), and the flash will fire when the second shutter curtain starts moving. That way you will have both the blurred background and a sharp main subject, lit by the flash.

Number 9 is the fully Manual mode and that is the real goal of this journey. Once you go through all the lessons I’m preparing, you will be confident and skilled enough to make the best out of this mode. This is where you set absolutely everything manually, you leave nothing to the camera to decide, and you take the full control of how your photo will look like.

Number 10 is the semi-automatic Aperture priority mode. On Nikon cameras it is marked as “A”, while on Canon cameras it is marked as “Av” (which stands for “aperture value”). In this mode you will set your aperture manually, and the camera will determine the shutter speed so you can have the optimal exposure. This is one of the modes where you can give your ISO a fixed value, or set it to ISO-Auto mode, with the given upper limit. This mode is great when you need a specific aperture, whether it is a very large one or a very small one (for example, for portraits or for landscapes), and you don’t really care about shutter speed and other settings. During my photographic journey, this was the mode I have used the most. Nowadays I’m slowly switching to fully manual and I like it 🙂

Number 11 is the Shutter priority mode, marked as “S” on Nikon cameras and as “Tv” (time value) on Canon cameras. Contrary to the “A” mode, in “S” mode you will set a shutter speed value, and the aperture will be set automatically. ISO can also be set either manually or automatically with the upper limit. The logic for this mode is similar to the aperture priority logic – you will use it either when you want very quick or very slow shutter (for example, for shooting sports, or shooting light trails), and you don’t care about the other settings.

Number 12 is the Program mode, marked as “P”. This mode initially acts as a fully automatic mode. Your camera will determine the best settings for the optimal exposure. You can just go with it and take the shot, or you can change something. For example, you are taking some nature photos and your Program mode decided that the narrow aperture will be the best choice. But at some point you want to take a closeup photo of a flower and you increase the aperture so you can have a nice blurred background. Your camera will accept your input and the aperture will keep the value that you set, but other settings, such as shutter speed and ISO will be modified in order to keep a proper exposure. So basically, your Program mode will initially say: “Here, I think this is the best setting for the scene that I see”, and you can say: “That’s fine, but let’s change this one little thing and you adjust the other ones if needed”.

Number 13 is the Guide mode. This is kind of a step by step manual which will lead you through the possibilities that your camera can offer. If you select this mode on a dial, you will see a first choice on the screen – Shoot, View/Delete or Set up. If you choose “Shoot” (because you want to take some photos, right?), the camera will lead you through next steps. Do you want an easy or an advanced operation? The easy mode will ask you what kind of scene do you want to photograph – moving subjects, landscapes, portraits, sunsets… The advanced one will give you more possibilities – soften backgrounds, bring more into focus, freeze motion, show water flowing, capture reds in sunsets and so on. You just have to pick the type of the scene you are shooting and the camera will take care about the settings.

In the next post we will go through the most frequently used modes – aperture priority, shutter priority and manual mode, and we will display and explain several photos which were taken using those modes.

Until then – stay tuned, and don’t forget to share this post and to leave your thoughts in the comment section. See ya 🙂

Exposure Triangle

As you could read in the previous text, there are some important camera and lens characteristics that affect how your images will look like. The three most important are shutter speed, aperture and ISO.

These three factors make the so-called “Exposure Triangle”:

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The exposure triangle

We will go through all three components in detail so that you can understand each of them.

Shutter speed

This “speed” is actually the time, or the duration of the exposure. It shows how long the shutter curtains will remain open and expose the sensor. When a photographer presses the shutter button, the first curtain will start moving down and exposing the sensor. The second curtain will start moving down after the first one. The second curtain will start moving sooner or later, depending on the shutter speed chosen.

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Shutter curtains at different shutter speeds

The shutter speed is expressed in seconds, or fractions of seconds. It can be as quick as 1/8000s. On the other end, you can set the exposure to several tens of seconds. You can also choose the “Bulb” mode in which you can open the curtains by pressing the remote shutter release button, and they will remain open until you press the button again, thus allowing you to keep the sensor exposed for several minutes or even longer.

When the shutter speed is very fast, you will be able to “freeze” the motion. You could use fast shutter speeds when photographing sports, children playing, birds flying, and so on. Your sensor will receive less light if you use quick shutter, so the image will be darker.

When the shutter speed is slow (i.e. when you make a long exposure), you will have the motion in your photos. It is useful when you want to catch the light trails of moving cars, or to create the “silky” look of flowing water. The sensor will receive a lot of light with longer exposures, so the image will be brighter.

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Quick shutter speed “freezes” the motion
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Slow shutter speed captures the motion over some time

Aperture

Aperture is the opening in the lens. The aperture diameter is expressed as a fraction of the current focal length, for example f/1.4, f/1.8, f/2, f/5.6, f/11 and so on. For example, if you have a 50mm lens and set its aperture to f/2, that means that the width of the lens “hole” will be 25mm.

Changing your aperture width has two effects. The first one, and the most obvious one – if you increase the f-number (i.e. if you decrease the lens opening diameter), you will decrease the amount of light which enters into your camera. If you decrease the f-number (increase the lens opening), the amount of light will be increased. Having in mind that the lens opening is approximately a circle, we can assume that it has an area of π*(D/2)² (D is the diameter). If we increase D by √2, we will increase the area 2 times. That is known as the “f-stop”. For example, if your aperture is set to f/2.8, and you want to double the amount of light, the next “stop” will be f/2. Of course, we assume that all other settings on your camera will remain unchanged while you are changing the aperture.

The other effect that the aperture has on your photo is the so called “depth of field” (DoF). To put it simply, that is the area which will be in focus. The lower the f-number, the smaller the depth of field will be and vice versa. In other words, if you set the aperture to f/1.8, you will get a photo which has only one shallow area focused, while everything behind and in front of it will be blurred. If you increase the f-number to let’s say f/11, you will have much more of the image in focus, and the blurriness of other parts will be much less intense.

You will use large aperture (small f-number) for example when making portraits, because you want your subject to pop out, and the background to be blurred so it wouldn’t distract the viewer. The opposite case would be landscape photography, where you want to have as much depth as possible in focus, so you will need small aperture (large f-number).

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Large aperture (small f-number) gives a shallow DoF and blurry background
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Small aperture (large f-number) gives a large DoF and the large part of the photo in focus

ISO

ISO is a measure of a sensor sensitivity, i.e. how much light does it need to create a properly exposed image. ISO is usually expressed in hundreds, e.g. 100, 200, 400, 800, 1600, 3200… On modern cameras ISO can go as low as 50, or as high as several hundreds of thousands. Same as the shutter speed and the aperture, the ISO change also has two effects on the photo.

The first effect is the brightness of the image. When you double the ISO (without changing any other settings), for example from 400 to 800, the image will be twice as bright. On the contrary, when you lower the ISO e.g. from 200 to 100, the image will be two times darker.

The second effect is the quality, or better said, the amount of noise in the image. When the ISO goes up, so does the digital noise, and your photo loses its quality.

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When zoomed in, there is visible grain in this photo with high ISO

Balancing the triangle

Having said all of this, it is clear that a photographer has to balance between these three factors in order to create a photo which is properly exposed, with as less noise as possible, and without any unwanted blurriness. If you have a quick shutter speed and a narrow aperture, you will need high ISO. If you have low ISO and quick shutter speed, you will need a large aperture. If you have a narrow aperture and a low ISO you will need a slow shutter speed. Or to put it a bit differently, if you want a high ISO and a wide aperture, you will need a quick shutter speed, and so on…

Let’s go through some examples…

Example 1: You are photographing a bird in flight on a sunny day. You want to freeze the motion. You have to use quick shutter speed, but you can open your aperture to let more light in (and also to have only the bird in the focus, without the background), so you can leave ISO on a low level.

Example 2: You are photographing the same bird, but on a cloudy day, or in the dusk. Even though you have opened the aperture, there is still not enough light. You will need to raise the ISO so you will get the well-exposed photo, and you will have to learn to live with somewhat higher noise.

Example 3: You are photographing a beautiful landscape on a sunny day. You set a high f-number so that you can have as much of the photo as possible in focus. You also want to have low ISO in order to have a high quality image. Therefore, you might need somewhat slower shutter speed so that enough light can get to the sensor.

Example 4: You are standing on the overpass above a highway in the night and you want to capture the cars’ light trails. You will need a slow shutter speed (maybe 20-30 seconds), and a low ISO so you won’t have much noise. Your aperture can be somewhere around the half, which will give you the best image sharpness.

Example 5: You are making a portrait of your kid inside your house. You need a large aperture opening to make your kid stand out, and somewhat faster shutter because kids cannot stand still. Since you are indoors and there is not enough light (and you have also set quick shutter speed), you will set higher ISO to compensate for it.

Hopefully you have a good overview of these three main factors and now you know how each of them affects the photo you’re making. In the next post we will talk about different camera settings which will let you control these factors in different ways. After all, your goal is to stop using the automatic mode on your camera, because it is destroying your creativity and freedom.

See you soon, and don’t forget to share this post and to leave a comment, I’d love to hear from you 🙂

How DSLR Cameras Work

In this post we will talk about the basic principles of a DSLR camera’s mechanism. After reading this post you will have necessary knowledge to understand the lessons that will follow shortly.

What is a DSLR camera anyway? The abbreviation stands for “Digital Single Lens Reflex” camera. So that is a digital camera which uses a single lens, and has a mirror which is reflecting the light that enters the camera body through the lens. Let’s get into more details.

A camera body contains several important parts, and we will explain them as we follow the path of the light that enters the camera body through the lens opening:

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When the light passes the lens (1), it hits the mirror (2) and reflects upward. It’s passing the matte focusing screen (3) and enters the pentaprism (4). In the pentaprism the light reflects two times and then exits through the viewfinder, allowing the photographer to see the scene and create the composition.

When the photographer presses the shutter release button, several things happen:

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mirror (2) rises and allows the light to pass through. The light is not reflected up anymore and this is the reason why you see a short “blackout” in the viewfinder when you press the button. The light continues further toward the shutter curtains (6). The first (lower) curtain starts moving down, thus allowing the light to reach the sensor (7). The upper curtain follows down and stops the light. Finally, all the elements (the mirror and the curtains) go back to their initial position.

There are some important terms that you should remember in order to follow the following posts.

  • Focal length is the distance between the lens’ focal point and the sensor. It is expressed in milimeters. There are prime and zoom lenses. The prime lenses have fixed focal length, e.g. 35mm, 50mm, 85mm, 105mm… The zoom lenses have different ranges of focal lengths, e.g. 18-55mm, 18-105mm, 24-70mm, 70-200mm, and so on.
  • Aperture is the measure of the lens opening. It is expressed as a fraction f/X, where “f” is the focal length and X is its divisor, for example f/1.8, f/2, f/3.6, f/11… Of course, the smaller the number, the wider the lens opening and vice versa. There are zoom lenses with fixed maximum aperture. For example, 70-200mm f/4 has a constant f/4 aperture throughout the whole zoom range. On the other hand, some lenses have variable maximum aperture. For example, 18-55mm f/3.5-5.6 has an f/3.5 aperture on its “wide” end (18mm), and when zooming in it decreases gradually to f/5.6 at  its “tele” end (55mm).
  • Shutter speed is a little bit misleding term. It is actually the duration of how long the shutter curtains remain open i.e. how long will the sensor be exposed to the light. It is expressed in seconds, or fractions of second, e.g. 1/1000s, 1/200s, 1/5s, 1s, 2s, 20s…
  • ISO is the measure of the sensor’s sensitivity, e.g. ISO 100, 200, 400, 800, 1600, 3200… Lower number means that the sensor will have lower sensitivity, the image will be darker, but with less noise.

Focal length and aperture are the characteristics of a lens. Shutter speed and ISO are the characteristics of a camera. We will go over them one more time in the next lessons and we will also introduce some new terms, but this should be enough for the beginning.

See you soon with new posts. Until then, feel free to leave a comment and to share this post. Thank you for reading 🙂